Play Along Piano

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Bach

G Minor Bach

2:38	Est. Play Time
66	Measures
	1,377Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	3	4	6	100%
	24	23	6	6	100%
PianoVoorslagen	3	0	0	2	3%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	3	4	6	100%
	24	23	6	6	100%
PianoVoorslagen	3	0	0	2	3%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%

J. S. Bach: Dona nobis pacem (BWV 232 final mvt)

BSG

3:12	Est. Play Time
46	Measures
	2,802Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Strings 1	12	0	2	4	98%
	14	0	3	5	93%
	22	1	6	5	100%
	15	0	3	5	100%
CtoR	17	45	4	7	100%
	18	0	5	6	100%
Tenor	15	0	3	5	100%
Alto	12	0	2	4	98%
Continuo	20	1	6	5	98%
Contrabass	20	1	6	5	98%
Bass	19	0	6	5	93%
Flute	14	0	3	5	93%
Soprano	14	0	3	5	93%
Oboe	18	34	5	6	82%
Trombe 1 amp;amp; 2	11	0	1	5	51%
Timpani	2	0	0	5	22%
Tromba 3	11	0	1	5	22%

Bach preludium #1: Orchestral version

Marcosà

2:22	Est. Play Time
35	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	11	0	3	4	97%
Violin	16	0	4	3	89%
Violoncello	10	0	2	2	74%
Flute	16	0	3	3	69%
B Clarinet	15	0	5	1	51%
Bassoon	7	0	0	1	46%
Contrabass	7	0	2	1	43%
F Tuba	5	0	0	1	37%
Trombone	11	0	1	3	37%
Horn	8	0	4	2	34%
Harp	15	1	2	2	31%
	9	1	1	5	21%
B Trumpet	9	0	3	1	20%
Oboe	4	0	1	2	20%
Timpani	7	0	1	3	20%

J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)

BSG

3:22	Est. Play Time
57	Measures
	1,948Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	23	0	8	4	100%
Cto	23	0	8	4	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	23	8	4	100%
Cto	23	8	4	100%
Oboe	21	7	7	96%
Violin	24	9	8	93%
Flute	21	8	8	91%
Bass	16	5	7	60%
Tenor	18	6	7	60%
FluteXEC	8	4	1	9%
OboXec	5	2	1	7%

12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.

SDG

0:55	Est. Play Time
12	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	0	1	6%
	14	0	3	5	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	14	3	5	100%
	1	0	1	6%
	16	3	4	100%
	16	3	4	100%
Soprano/Alto	14	3	5	100%
Tenor/Bass	16	3	4	100%
Contrabass	14	2	2	50%

J. S. Bach: Ein' feste Burg ist unser Gott (BWV 80/I)

BSG

7:36	Est. Play Time
228	Measures
	3,159Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	18	54	7	4	33%
	26	0	10	7	96%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	18	54	7	4	33%
	26	0	10	7	96%
Vcl	26	3	10	7	96%
Tenor	18	0	7	5	86%
Viola	18	0	7	5	86%
Alto	18	0	6	6	84%
Violin 2	18	0	6	6	84%
Soprano	18	0	7	5	79%
Violin 1	18	0	7	6	79%
Bass	17	0	5	6	71%
Tromba 1	14	0	2	6	38%
Ped	10	0	2	5	33%
Trombone	10	0	2	5	33%
Tromba 2,3	11	20	1	4	22%
Timpani	2	0	0	3	21%
Oboe	13	16	3	5	20%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

80. Ermuntre dich, mein schwacher Geist. J.S. Bach, Schop, Rist. BWV 248.12 (Weihnachts-Oratorium).

SDG

0:52	Est. Play Time
14	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	4	4	100%
Tenor/Bass	23	5	4	100%
Soprano	1	0	1	5%

309. Singt dem Herrn ein neues Lied. BWV 411. Johann Sebastian Bach.

SDG

0:54	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	3	5	100%
Tenor/Bass	18	0	5	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	3	5	100%
Tenor/Bass	18	5	5	100%
Contrabass	13	2	5	50%
Bass	3	0	2	6%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	4	100%
Tenor/Bass	18	0	3	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	18	3	5	100%
Contrabass	13	1	5	50%
Tenor	3	0	2	8%

36. Christ ist erstanden. BWV 276. J.S. Bach, Klug.

SDG

1:59	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	5	7	100%
Tenor/Bass	26	0	8	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	5	7	100%
Tenor/Bass	26	8	7	100%
Contrabass	19	6	7	50%
Soprano	2	0	1	3%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

Jauchzet, frohlocket, auf, preiset die Tage!, BWV 248 # 1

SDG

13:19	Est. Play Time
203	Measures
	5,015Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

16. Allein zu dir, Herr Jesu Christ. BWV 33.6.

SDG

1:14	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	3	5	100%
Tenor/Bass	23	0	6	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	5	100%
Tenor/Bass	23	6	6	100%
Contrabass	19	5	4	52%
Bass	4	0	2	20%
Tenor	4	0	2	16%